 The samara is the winged seed of certain trees, disseminated by the wind. In
the context of this piece, it refers specifically to certain musical figures
evoking the seed's flight, and more generally to the transmission and transformation
of generative musical ideas through history, through my own output (there are
references to a number of earlier works), and through the piece itself.
My only starting-points were the intention to foreground major and minor
thirds (exploring both the consonant and dissonant possibilities of their combination),
and the certainty that a fleeting musical idea would ultimately be transformed
into an explosion of fanfares. Other musical ideas accrued in the process of
composition: the opening linear music which recurs like a refrain, a repeated
chord in the brass, repetitive drum rhythms derived from Arabic music, and
an extrovert melody employing all twelve notes of the scale. Finally, all seeds
dispersed, only the wind remains.
Samara was begun in Dublin on 10 April 2005 and completed at the
Tyrone Guthrie Centre, Annaghmakerrig, on 22 July 2005. It is dedicated to
Gerhard Markson and the members of the National Symphony Orchestra of Ireland. 
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